How did OP, Senate spend P689M?

By Charmaine P. Lirio

WHEN Ma. Gracia Pulido-Tan assumed her post as chairperson of the Commission on Audit (COA) in 2012, she alerted officials on the huge amounts of unliquidated cash advances (CAs) in many agencies.

Pulido-Tan’s term has already ended yet still the problem she pointed out early on still persists, even in the Office of the President and the Senate.

Recently released COA agency audit reports show that between themselves alone, the Office of the President (OP) and the Senate have unliquidated cash advances of a combined total of P689.53 million.

The OP has P452.61 million P436.93 million of unsettled CAs, of which P436.93 million were amounts incurred by from the time of deposed president Ferdinand Marcos to detained president Gloria Macapagal-Arroyo.

To be sure, the COA report indicates that the OP under Benigno S. Aquino III has the highest settlement rate among the presidents, it still had to settle P11 million in unliquidated cash advances.

The Senators were not as exemplary. COA said they have P252.6 million in outstanding cash advances as of December 2013.

To make matters worse, the COA reports mote that officials in the OP and the Senate have been granted further cash advances even though they have not yet settled the prior amounts that had been entrusted to them. Such practice is contrary to the rules of COA and Presidential Decree No. 1445 or the Auditing Code of the Philippines.

The COA report enrolled the Senate’s reply to the audit observation: “[The management] stated that the Senators had already submitted their liquidation documents but these are not yet recorded in the books of accounts pending review of all supporting documents.”

Cash advances are given to officials for instances where payment by check is difficult, impractical or impossible. According to COA rules, CAs may be granted for salaries and wages, commutable allowances, honoraria, petty operating expenses, as well as current operating expenditures of agency field offices and official travel expenditures.

Section 89 of the Auditing Code states that cash advances have to be reported and liquidated as soon as the purpose for which they were issued has been served. Officials with unsettled or unliquidated previous CAs are also not allowed to receive additional advances until they submit a proper accounting of the funds.

CAs are settled either by the return of the money if unspent, or by the presentation of proper vouchers, receipts or evidence of payment showing details of how the CAs were used.

Failure to render accounts for public funds is a criminal offense punishable with imprisonment of up to six years under the Revised Penal Code.

Likewise, if a public official in charge of public funds or property fails to have such funds or property “duly forthcoming” upon demand by an authorized officer like auditors from the COA, the law presumes that the crime of malversation has been committed.

It “shall be prima facie evidence that [the officer] has put such missing funds or property to personal use.”

Do nothing with P1.4-B donation?

WHEN super typhoon Yolanda struck and cut a wide swath of destruction in November 2013, the Aquino administration scrambled for funds for emergency assistance for the affected communities. It rushed to Congress to secure a supplemental budget.

But the Palace actually had money that it could have used pronto, but had not touched for years.

In fact, according to the Commission on Audit (COA), Malacañang at the time could’ve tapped another source of fund for the victims of calamities: a billion-peso donation that it received almost 25 years ago.

In its 2013 Agency Audit Report released last February, COA said that there remains an unutilized amount of P1.4 billion lodged under the Office of the President (OP).

The fund came from Benpress Corporation in the form of a 1990 donation of Meralco (Manila Electric Co.) shares to the OP. The shares were sold in 2008 and recorded under the Office of the President’s accounts only in 2010.

The Deed of Donation, according to the COA report, indicated that the amount “could be used by the Donee (OP) in such projects in economic development according to a national priority plan as it may determine such as agrarian reform, assistance to victims and areas affected by the recent earthquake and rehabilitation of depressed areas.”

In truth, the OP did not lack for opportunities to spend the donation.

As COA noted that in the years after the amount’s appearance in the OP’s accounts, the country suffered great damage and losses from various calamities yet the fund was not touched. In 2013, Yolanda, regarded as the strongest typhoon to make landfall, hit the Philippines and affected 14.1 million Filipinos. (See PCIJ’s stories on Disaster Aid)

In its report, COA reiterated its 2012 recommendation to the OP to prepare a Special Budget “taking into consideration the purpose of the said donation… in order to utilize the funds for the benefit of the constituents especially those severely affected by national calamities.” – Charmaine P. Lirio, PCIJ, March 2015

Design overview The Kia SPORTSPACE concept

The working week is over. The late afternoon sun is glinting on the ice crystals in the road-side snowbanks and turning the snow-capped peaks ahead pink. The road snakes ahead towards a weekend of fun and action. The journey demands a swift, efficient and refined machine to allow the maximum pleasure to be extracted from the time available.

This is exactly the role for which the Kia SPORTSPACE was conceived. Its muscular proportions are ready to deliver a safe, secure but speedy passage to the slopes. Its cosseting and refined interior provides convivial yet individual space for its four passengers. Its sleek and elegant lines – both inside and out – are functional but stylish, allowing its travelling partners both comfort and convenience within a bodyshape that stands out from the crowd.

This is a concept that has extracting the maximum from life at its heart.

To be unveiled to the world at the 85th Salon International de l’Automobile in Geneva, the Kia SPORTSPACE is perhaps the ultimate ‘getaway’ car – a thoroughly practical vehicle for everyday business use, yet a stylish and athletic grand tourer in the classic sense – ready to eat up the miles across continents, whether for business or leisure.

Conceived and developed at Kia’s European Design Centre in Frankfurt under the leadership of Gregory Guillaume, Chief Designer Europe, the Kia SPORTSPACE is a car that spurns traditional compromises. It is neither saloon car nor wagon. It is neither hatchback nor shooting brake. It is instead a vehicle that can meet the demands of those who refuse to be categorised when it comes to their lifestyle or their motoring needs.

Guillaume is open about its origins: “Kia does not have a wagon in this important segment of the European market, but I was determined that we would not simply create something that conformed to tradition. This car comes from an ambition I had when I was studying design in Switzerland as a young man.

“I always had this picture in my mind of creating a vehicle that I could have used to go for a weekend’s skiing with friends before driving back for it to be displayed at the Geneva Salon. Geneva is a special show for me – it comes as winter starts to release its grip. It has a special atmosphere and a particular appeal. The ideal concept vehicle had to reflect this – and I believe the SPORTSPACE does just that!” he added.

Indeed, the Kia SPORTSPACE stands as a very different type of vehicle in the segment. It is neither meant to be, nor does it look like, a load-lugger – it is clearly a sleek, road-eater that owners will want to get into and drive. A long way.

Exterior design
Unlike traditional estate cars, wagons or even shooting brakes, the Kia SPORTSPACE presents an architectural outline that is distinctly different and sophisticated.

Its long and lean profile with unbroken surfaces and purposeful lines is emphasised by a very forward-positioned D-pillar and almost hatchback-like rear door arrangement.

Guillaume comments: “The normal wagon treatment would include a long third window to suggest and show the luggage carrying capacity. But by applying a strong D-pillar treatment and a much more swept back rear hatch, we have given the back of the car a strong character – muscular and athletic. It has great power and strength within its mass.

“The visual weight of the rear is reduced with careful shaping of screen, door and rear bumper. The edges cut into the mass to make its raked appearance believable and less wagon-like.”

At the front, SPORTSPACE wears an evolution of Kia’s signature ‘tiger-nose’ grille. But the solid Plexiglas insert isn’t as solid as it appears. Close examination reveals it is actually louvred and these can rotate to allow greater air intake when required.

A powerful satin aluminium strip runs across the front of the bonnet above the ‘ice cube’ LED headlights, giving a sense of strength and determination. The subtlest of curves along the underside of the headlamps, add further visual movement to the SPORTSPACE’s bold, dynamic face.

Further satin aluminium strips set into the chin-spoiler hide inset turn signals that become apparent when switched on.

In profile, the Kia SPORTSPACE is just as vivacious. A strong character line runs along the body, visually connecting the front and rear. The car’s high beltline, the simple yet gracefully shaped flanks and the low-down inset carbon fibre kick-plate add to the sense of athletic muscularity.

Further dynamism is added to the car’s ‘Ignition Red’ bodywork by another satin accent strip, a spear of aluminium which arcs from front to rear, accentuating the car’s long and narrow glasshouse. A horizontal turn signal is inset in each of the side mirrors and mimics the front spoiler indicators.

The design of the rear pillar, which is wider and slopes forwards, is combined with tapering side surfaces and a dramatic concave tailgate, ensuring the car is just as bold and exciting at the rear.

The wide rear tail lamps and a full-width carbon-fibre diffuser further emphasise the car’s wide stance and sporty appeal. The tail lamps incorporate the turn indicators, which pulse outwards when in operation.

A roof-level spoiler and the diffuser maximise air flow efficiency around the rear of the car. Twin tailpipes within the diffuser echo the polygon shape of the tail lamps. A vertically oriented fog lamp is integrated centrally in the diffuser.

The SPORTSPACE is finished with unique 20-inch ten-spoke alloy wheels inset with carbon fibre which emerge from a pentagonal hub at the centre. The wheel design suggests powerful rotation even when stationary.

Interior design
The door handles sit flush in the panels until required. When operated they reveal a remarkably airy four-seat interior illuminated by panoramic glazing running the entire length of the roof and bathing the cockpit with light.

Guillaume comments: “The SPORTSPACE has to be purposeful and for me that means a very black interior with the focus on control and function – but the ambience of the passenger compartment must also be refined, relaxed and a welcoming place to be. The sense of space was essential, and whether the SPORTSPACE is being used during the working week or on that getaway, it has to convey quality and adaptability by providing occupants with a practical personal environment that delivers individual needs and preferences.”

The cabin is simple and pure with bold, handsome styling. A balance of luxurious leather with contemporary technical materials – including carbon fibre and milled, anodised aluminium – underlines the car’s inherent functionality with utterly modern and evocative style.

“The cockpit is defined by clean and simple volumes, ‘grand gestures’ and detailing that doesn’t detract from the whole,” says Guillaume. “The floating instrument panel is extremely horizontal and its width is accentuated by the anodised aluminium bar below it that links the side air vents. There are no central air vents in the instrument panel – instead they are set into the centre tunnel below.”

The inner surfacing of the door panels runs as one whole architectural sweep from the instrument panel rearwards into the tailgate. The centre console runs through the interior, shooting through the car, further enhancing the perception of space and length.

The hand woven ‘cuoio intrecciato’ seats are trimmed with black-polished leather backed with carbon fibre shells and provide modern and comfortable sport seating for each of the four occupants. The finely formed, free-standing metal door pulls are satisfyingly cool and shaped to the hand. Ergonomically set into the door pulls is a switch to allow the side windows to be ‘thumbed’ up or down.

Anodised aluminium in ‘Endurance Graphite’ is used elsewhere: on the flat-bottomed steering wheel, paddle shifters, sport pedals, barrel-shaped auto transmission shift and tunnel-mounted switches. These elements represent a strong technical contrast with the black leather and distinctive silver brushed aluminium-look fabric covering the instrument panel and the centre console.

Ahead of the driver is a highly configurable digital instrument cluster paired with a fully operational infotainment system. The large infotainment screen – which sits clearly within the driver’s view – can be operated in single or split-screen modes. Operation is via the anodised aluminium in-car infotainment controller located behind the gear shift – flanked by four shortcut buttons that enable fast and intuitive interaction. Additional functions can be operated via a row of fast access buttons integrated below the centre screen.

Where the rear view mirror would usually be located, a slim screen replaces it, fed by images from the rear view camera. Other driver information is also fed into this screen.

“We were able to integrate very technical detailing into the car and this helps to intensify driver involvement,” explains Guillaume. “The car, in the sense of its grand touring practical sports role should be a serene and comfortable place. It shouldn’t be distracting in any sense. As a driver, all of the controls and the things you need are directly around you and easily to hand and extremely positive and technical.”

Generous rear seat legroom maximises passenger comfort and heightens the sensation of spaciousness, enhanced by the substantial glazing above.

A prerequisite for an exciting grand tourer like the Kia SPORTSPACE is the capacity to accommodate skis. Skis can be stored between the rear seats, with a padded leather armrest doubling up as a ski rest. Slide it back and two recesses are revealed which accommodate two tablet PCs, one for each passenger. Rear seat occupants also have the option to utilise a unique tablet PC clamping system located on the back of the front seats, allowing them to view video and other multimedia content at eye level.

The rear section of central tunnel seamlessly connects to the boot space. An innovative loading system comprising 28 rolling balls is set within the matt leather trunk floor. In combination with the low tailgate, these allow the easy loading of heavy suitcases and sport equipment. When the SPORTSPACE’s ignition is switched on, each of the stainless steel balls lowers into its recess by 3 mm, ensuring cargo doesn’t slide when the journey begins.

Powertrain
SPORTSPACE is powered by the latest evolution of Kia’s diesel-electric T-Hybrid system, previously seen on the Optima T-Hybrid concept at the 2014 Paris Motor Show.

The innovative powertrain is a further statement of the advanced technological capabilities of Kia, combining spontaneous and powerful acceleration in all situations with low emissions.

The compact and lightweight 1.7-litre diesel engine is now twin charged, the conventional variable turbo charger supported by an electric booster. This 48V booster enhances engine torque at very low engine speeds, as well as under acceleration for more effortless overtaking.

Through its fully independent activation, it reacts faster than a traditional exhaust gas-driven turbocharger. At the same time the 48V technology is clearly simpler and lighter than conventional hybridisation. This state of the art innovation is further enhanced with an active multi-link rear axle to enable temporary all-wheel drive capability.

Not only does this enable zero emissions low speed mobility, when parking or crawling in traffic, for example, but it also perfectly supports the active driving experience promised by the dynamic exterior design.

Guillaume commented: “The SPORTSPACE was conceived as a car that drivers would want to use at weekends to get out and enjoy the journey. It was central to our thinking that the car should provide real encouragement to hit the road and make the most of every moment.

“Behind the sophisticated design, the Kia SPORTSPACE also delivers a drive that is easy and enthusiastic. It will make every work-day commute or dash to the mountains equally invigorating,” he added.

HCPI unveils the All New Honda Odyssey

Honda Cars Philippines, Inc. (HCPI) recently unveils the All New Odyssey minivan in One Esplanade, Pasay City.

The Odyssey nameplate started to roam on Philippines’s roads since 2012. It caters to families who need the “Ultimate Family Vehicle,” and it stays true to that mission to this date. It provides elegant style, top-notch performance and advanced safety that every Filipino family needs.

With the launched of the All New Odyssey, it continuously proved to be a passenger vehicle with utility beyond compare. It is equipped with innovations that provides luxury and comfortable mobility that goes beyond customers’ expectations.

The All New Odyssey is the first Honda model available in the Philippines that is packed with the Earth Dreams Technology 2.4-liter, DOHC i-VTEC 4-cylinder engine and Continuous Variable Transmission (CVT with 7-speed paddle shifter). The Earth Dreams Technology is the next generation set of technological innovations that revamps the engine to provide better fuel efficiency and driving performance.

In terms of the interior, the All New Odyssey is designed with elegant and high-class tone. It is a reminiscent of a hotel suite as it is primarily patterned to one based on its “Modern Suite Room” concept. It features a Captain Cradle Seats with Ottoman in the second row while the third row showcases a three-way split reclining structure. Moreover, it also sports a seven-inch touch screen display audio with navigation system and a roof-mounted nine-inch rear entertainment system.

The safety features of the All New Odyssey are a set of comprehensive technology on vehicle safety. It composed of multi-view camera system, Smart Parking Assist System, Blind Spot Information and Cross Traffic Monitor, Active Cornering Lights, Emergency Stop Signal, drive and passenger SRS airbags, side airbags, side curtain airbags, Anti-lock Braking System with Electronic Brake-force Distribution, Vehicle Stability Assist and Hill Start Assist.

The All New Odyssey is available with the introductory price of Php 2,298,000.00. It is available in three colors: Premium Twinkle Black Pearl (plus Php20,000), White Orchid Pearl (plus Php20,000) and Modern Steel Metallic. Interested buyers can also order other colors like: Glamourous Mauve Pearl, Super Platinum Metallic, Carnelian Red Pearl and Crystal Black Pearl.

Madame Tussauds Singapore Launches Wax Figure of Iconic Singapore Girl

Madame Tussauds Singapore and Singapore Airlines today announce the launch of a wax figure of the iconic Singapore Girl, one of Singapore’s best known icons.

The figure is modelled after Ms Nur Surya Binte Mohamed Ambiah, a flight stewardess with Singapore Airlines (SIA) who joined in 2007 but left to start a family in 2011 and rejoined SIA in 2012 under the Returning Crew Scheme.

“We are truly delighted to have created a wax figure of the Singapore Girl; she is a global icon and the epitome of grace and hospitality. Representing a leading Asian brand, the iconic Singapore Girl is well-known all over the world and therefore we wanted to feature her in our attraction which aims to showcase the best of Singapore!” said Ms Sharon Wong, Marketing Manager, Madame Tussauds Singapore.

“The Singapore Girl, with her distinctive sarong kebaya, is a global icon and one of the most instantly recognisable figures worldwide. She is perennial and appeals to both young and old. Our customers have a strong emotional connection with our brand as a result of her iconic image. Her contribution to SIA’s brand is invaluable and we are excited for her to be featured in Madame Tussauds Singapore,” said Mr Marvin Tan, Singapore Airlines Senior Vice President Cabin Crew.

This is the second figure of a Singapore Girl to be produced by Madame Tussauds. The first was modelled after Ms Lim Suet Kwee and was launched in 1993. Ms Lim, who is now Assistant Manager for Crew Performance, played a crucial role in the selection process for the new Singapore Girl wax figure.

Several factors were considered during the selection process, the most important of which was the fact that she should embody the characteristics of the Singapore Girl, such as Asian grace, hospitality and commitment to service. Other factors include her poise and confidence in presenting herself.

In September 2014, the Madame Tussauds team met Surya for an eight hour sitting which involved collecting measurements, photos, costume donations, a hand cast, hair samples, a signature and checks for eye colour matches. About 500 precise body and facial measurements were taken. Ms Lim was also present at the sitting to provide Surya with guidance, based on her past experience. The figure was created in London and took approximately three months to complete. Surya’s wax figure is wearing an SIA sarong kebaya cabin crew uniform, donated by SIA.

Madame Tussauds is one of the world’s most popular visitor attractions, drawing millions of visitors across the world every year. The attraction features some of Singapore’s most popular celebrities, as well as International and Asian A-list celebrities from around the world. Madame Tussauds Singapore is located at Imbiah Lookout on Sentosa and sits alongside Images of Singapore LIVE which is now open to the public. Images of Singapore LIVE introduces an entirely new element with live actors, telling stories about Singapore’s history. The two attractions are linked by the ‘Spirit of Singapore’ boat ride.