Canon G3X Review

Compact cameras are now getting more and more feature-packed that some already offer capabilities usually seen on bulky DSLRs. Such is the case with the Canon G3X by equipping its rather small body a zoom lens that is designed to be able to bring far away subjects nearer. Being a camera that is easily portable, is it a real travel buddy?

Design and Construction

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Being a compact shooter, the G3X is strict on maintaining its bulk to a minimum so we have a seemingly oversized lens attached to a timid body. It’s got an all black hue which pushes itself to look like a mini DSLR.

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The body itself is made of metal alloy which is tough and weather-resistant so you could still use the camera and shoot during light rain showers or during any instance that the weather could be a bit harsh.

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Up top, we have the hot shoe for an additional flash, the main control ring, wheel and physical dials lined up for navigating the shooting modes and different settings. At the leftmost corner we have the built-in flash that pops out when pushed from the back.

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The G3X has a 3.2-inch tilting touchscreen display for live view and media playback. It unhinges itself from the body which you can then tilt up or down as it compensates for not having a viewfinder built-in.

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As for the lens, it has a 25x optical zoom with wide angle capabilities at 24mm and goes all the way to 600mm for telephoto use.

cofAt the back, we have additional navigation buttons and another wheel for adjusting the settings on the fly. It also has a plastic flap that hides the external microphone jack, headphone jack, and HDMI output terminal that all help when shooting videos.
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At its base is the compartment that houses the removable battery and memory card slot.

Controls and Ergonomics

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G3X’s grip area was inspired from the design used for EOS DSLRs so it’s a familiar feeling if you’re used to holding the bigger, bulkier ones. Plus, it also offers a secure grip so we had no problems carrying it around even without a strap.

The control dials up top are easily accessible by the right hand so that’s something commendable in terms of ergonomics. One thing we noticed, though, was that the single record button for videos is located at the very edge of the panel up top which could sometimes be a challenge to reach and feels unnatural to press, at least for us.

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In general, holding the camera up when shooting offers a pretty steady balance thanks to the contoured grip on the right side and the kind of heft it packs. Speaking of heft, one would notice that the lens has more weight than the body itself.

Live View

As mentioned earlier, the G3X doesn’t have any viewfinder installed, so everything (from composing your shot and previewing it afterwards) will all be done on its 3.2-inch 1.62M-dot LCD.

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The display is also touch-enabled so you can navigate by swiping on the images, press buttons on-screen, and tap to focus on subjects.

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It can be tilted up to 180 degrees upwards for selfies and 45 degrees downwards which resulted to comfortable viewing either when we were shooting up or shooting down.

Autofocus, Noise, and ISO Performance

The company claims that it uses a powerful linear control mechanism that ensures speedy focusing and can handle moving objects. We put it to the test and we could say that it does focus well on normal shots, but when zooming in close to a distant subject, the camera experiences some difficulties with its autofocus when there are other details in the background. We brought this camera at a nearby park in London and tried looking for some moving subjects. Here are some shots:

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As you can see, the photos with a solo subject has a pretty good focus to it considering we were zoomed all the way. Although the shot of the biker shows that the rider himself is a bit out of focus as the camera concentrated more on its background.

In terms of noise, you may also refer to the photo of the biker and notice the digital noise present on the dark areas. This is because the G3X’s aperture is at f/2.8 on its widest but could only go until f/5.6 when zoomed in and when there’s shortage of light coming in, the ISO goes up to compensate and produce an image with acceptable exposure — hence the presence of noise.

Zoom Performance

We also put its telephoto lens to the test to see how it would fare during real-life instances. Just to get a good idea of how far away its 600mm maximum focal length is in terms of zooming, check out the photo below that’s taken without zooming in:

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See that bridge in the middle area of the photo? Here it is on full zoom:

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Another one:

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Zoomed in:

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Here’s one more sample shot using the maximum possible length the G3X can offer. It was shot on auto mode, with no tripod, and certainly no photoshop treatment.

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In short, it’s pretty crazy how far away this lens could bring your subjects right at your face. Not only that, it could also quickly adjust the settings (shutter speed, aperture, ISO) to match what the subject needs — in this case, raise the shutter speed in order to make the details of the moon appear.

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For people as subjects, it was also able to maintain a good exposure with clear details. The above photo was taken across a large hall when the Huawei P9 was launched. When Henry Cavill came out for a short talk, we were able to get a shot that makes it seem like he was just in front of us.

Image and Video Quality

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As for the general quality of the shots the G3X produces, its 1-inch CMOS sensor comes into play and makes sure the photos remain detailed even when zoomed in. Colors are also lively enough while maintaining good contrast between light and dark shades.

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In low light instances, the G3X still proved to keep the composure of its darks and minimized digital noise once we took over control and switched to manual mode.

Below are more samples from the G3X:

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The following are photos using different focal lengths of its zoom:

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Video-wise, it shoots a maximum resolution of Full HD or 1080p. Users can play around with how many frames it shoots per second and could go for a cinema-like feel at 24p or a more fluid movement at 60p.

The G3X also has a Manual Movie feature for adjusting the settings on the fly. Check out the following videos showing its performance during day time, night, and zooming capabilities. Be sure to switch the resolution to 1080p for best quality.

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Night

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Battery Life

As for the battery life, Canon claims 300 shots. In our usage it was able to last for about two days of casually using it around London — taking pictures and videos of anything interesting before it required us to charge. We would say that we’re satisfied with how well it could stretch a single charge even when it always uses its LCD for both preview and live view.

Charging takes about 2 hours to fill up the battery.

Conclusion

From its compact build and weather-resistant body that makes it a good companion for traveling, to its superzoom capabilities in an instant, and down to its decent battery life, the Canon G3X is an effective consumer product for casual photographers looking for a compact camera with a good telephoto lens.

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This camera can zoom farther in comparison to other cameras in the same range, although aperture is at its widest at f/5.6 during this operation. Digital noise is sometimes present on auto mode, but could be avoided by choosing a better camera setting. Autofocus is also generally swift, but still has room for improvement.

At Php41,998, it’s a bit pricey considering it lacks some functionalities present in its competitors (like 4K recording and a built-in viewfinder). It does have easy sharing capabilities like NFC and Wi-Fi so the company didn’t really skimp on the extra features.

Canon G3X specs:
20.2MP 1-inch high-sensitivity CMOS sensor
DIGIC 6 image processor
25x optical zoom f/2.8-5.6 IS lens
24-600mm (35mm equivalent)
3.2-inch 1.62M-dot tilting touchscreen LCD
High-speed AF with 31 focus points
Full HD Video at 60p with HDMI output
Wi-Fi
NFC
ISO 12800
5.9 fps continuous shooting

What we liked about it:

  • Compact, robust form factor
  • Tilting display
  • A real easy-to-use zoom camera
  • Decent low light shots

What we didn’t like:

  • No built-in viewfinder
  • No 4K video recording

The post Canon G3X Review appeared first on YugaTech | Philippines News & Tech Reviews.

PHOTOS: LG G5’s 16MP main camera vs 8MP wide-angle

When the LG G5 was introduced, a lot were curious about the company’s implementation of two different rear cameras. One is a 16 megapixel main shooter while the other is an 8 megapixel 135-degree wide-angle. Check out their differences below.

Note: Top photo is taken with the 16MP camera while the bottom is the 8MP wide-angle.

You can see full-resolution photos below:

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As for videos, the G5 allows you to alternately record and switch between the 16MP main and 8MP wide-angle cameras in one continuous shot. Watch sample below:

What do you guys think of the LG G5’s camera. Our full review is almost done, but for now you can read our quick review here. If you have questions, let us know in the comments below.
 

The post PHOTOS: LG G5’s 16MP main camera vs 8MP wide-angle appeared first on YugaTech | Philippines News & Tech Reviews.

PHOTOS: LG G5’s 16MP main camera vs 8MP wide-angle

When the LG G5 was introduced, a lot were curious about the company’s implementation of two different rear cameras. One is a 16 megapixel main shooter while the other is an 8 megapixel 135-degree wide-angle. Check out their differences below.

Note: Top photo is taken with the 16MP camera while the bottom is the 8MP wide-angle.

You can see full-resolution photos below:

lg g5 sample 1 lg g5 sample 1 wide lg g5 sample 2 lg g5 sample 2 wide lg g5 sample 3 lg g5 sample 3 wide lg g5 sample 5 lg g5 sample 5 wide lg g5 sample 4 lg g5 sample 4 wide lg g5 sample 6 lg g5 sample 6 wide lg g5 sample 7 lg g5 sample 7 wide lg g5 sample 8 lg g5 sample 8 wide

As for videos, the G5 allows you to alternately record and switch between the 16MP main and 8MP wide-angle cameras in one continuous shot. Watch sample below:

What do you guys think of the LG G5’s camera. Our full review is almost done, but for now you can read our quick review here. If you have questions, let us know in the comments below.
 

The post PHOTOS: LG G5’s 16MP main camera vs 8MP wide-angle appeared first on YugaTech | Philippines News & Tech Reviews.

Our Benro Photo and Video Gear

Since February this year, we’ve started moving to a new photo and video studio for the team. Before that, everything was done from home so the output was not consistent across the team members. I’m sure some of you might have seen the updates we’ve been posting in IG or Facebook for a couple of months now regarding the construction fo the new studio.

Along with that, we’ve also invested in a few items for the headquarters and for some of the trips we’ve done. Some of them we’ve bought months back while others were newly acquired just for the studio as part of our partnership with Benro.

Benro A3573F Series 3 AL

This Benro Series 3 tripod is our primary tripod in the studio. We bought it about a year ago but only recently been using it for most of the video work we do in our YouTube channel.

It is made up of magnesium-aluminum alloy. It has two-stage legs with 3 section secured using flip-lock levers. It comes with rubber feet for better grip in slippery surface but you can chage it with a spiked feet for increased stability especially if you’re going to use it outdoors.

The legs feature a spreader-less design with three discreet stops for locking them at different degrees of spread. In addition, they can be opened fully for very low-angle shooting.

When we got it at Henry’s in Glorietta, it also came with a Benro S6 Video Head (see below) which we can also transfer to the slider.

Benro S6 Video Head (A2573FS6 S6)

The tripod we got also came with this S6 Video head. It featuresh a QR Plate System with Safety Lock for easy mounting and dismounting of the camera.

The S6 head features Posi-Step Counterbalance system with four settings of 0.0, 4.4, 9.9 and 13.2 lb. The S6 has 360° panning rotation and variable-tilt drag for smooth camera moves. There are separate pan and tilt lock levers for lock-off shots. It has an illuminated built-in bubble level and it’s designed to support cameras and camcorders weighing up to 13.2 lb.

There are so many controls that after using this for about 4 months, we’re still occasionally confused which knobs are for which control.

Suffice it to say, it offers everything we need for smooth panning and operation when we mount our Canon 70D camera.

Benro GA168T GoTravel Aluminum Tripod

The Benro GoTravel1 is our most versatile tripod and the one we now bring on our foreign trips. Before this we only had a Benro monopod at our disposal.

Weighing just 2.9 lb and able to hold up to 30.1 lb, the GA168T can extend from a minimum height of 14″ up to 59.4″.

The four-section legs are secured with twist locks and can be independently adjusted in both height and leg angle. The legs reverse-fold around an optional ball head to help maintain the compact folded length of 17.5″.

One of the tripod’s legs can be detached and paired with the center column to produce a full-size monopod.

The Quick Flip 90° center column can quickly go from vertical to horizontal without the use of any tools.

A removable ballast hook can be screwed into the bottom of the center column, allowing you to hang additional weight from the tripod for increased stability.

What we really liked about this tripod is that the 4th leg can be adjusted to position horizontally, allowing us to get a direct top-down shot from the camera which is great for unboxing videos.

Benro MoveOver 4 Slider

Prior to getting the slider, we were using a small dolly for some linear motion shots that we do (forgot the brand but it came with a friction arm from Kamerar.com).

The Benro MoveOver4 35.4″ Aluminum Rail Slider provides that cinematic and linear motion in our video shoots.

This model is about 3 feet long and supports up to 8.8lbs of weight. The single aluminum rail is 1.8″ wide with two small stainless teel rods hidden beneath to provide smooth and quiet operation.

The sliding carriage has a fixed 3/8-inch screw which can be used to mount the S6 video head. That allows us to make that linear motion while moving the video head to follow the subject (parallax effect).

There’s also a built-in bubble to check of the slider is on level. If not, you can always adjust the articulating rubber feet to make it so.

The slider cna also be mounted on the Series 3 tripod to provide height although with the Canon 70D on top, the tripod tend sot trip over when the carriage is outermost rail.

The post Our Benro Photo and Video Gear appeared first on YugaTech | Philippines News & Tech Reviews.

Leica M-D (Type 262), a digital camera with no LCD

Leica has announced a new model under their M-series of digital rangefinder cameras. Although, there’s something peculiar about it as it’s missing a main LCD unit.

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The Leica M-D (Typ 262) is not the first of its kind from the company since they also released a similar looking camera known as the M Edition 60 for the sixtieth anniversary of the rangefinder system, but that’s is a limited edition device.

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The newer model features a 24-megapixel CMOS sensor with an ISO range of 200-6400. Since their’s no main LCD unit on it, you have to rely on the digital viewfinder when shooting. Keep in mind that you can only tweak the aperture, shutter speed and ISO settings much like your grandma’s film camera. Also, it only shoots in DNG Raw format.

The build is a classic camera with a brass base and top plates. The purpose of the design is to provide distraction-free shooting experience and give only the ‘essentials of photography’. The Leica M-D (Typ 262) will go on sale this May with a price tag of US$5995 or roughly Php 282,000.

Source

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